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John Scott (director), Ryan Murphy (writer) (September 16, 2009). “Acafellas”. Ryan Murphy (director, writer), Brad Falchuk (author), Ian Brennan (author) (September 9, 2009). “Showmance”. Brad Falchuk (director), Ian Brennan (author) (February 6, 2011). “The Sue Sylvester Shuffle”. Falchuk describes Santana, from this point, as having come out internally to herself, however being afraid of popping out to her friends. Brad Falchuk (director, author) (December 9, 2009). “Sectionals”. Wall Street Journal author Raymund Flandez described Rivera’s vocals as “electrifying” and “golden”. She mentioned she had been walking along Drake Street within the town centre when a Honda Civic pulled up and the man inside candy-talked her into swapping numbers. Rivera loved the truth that Santana is competitive and headstrong as she herself shared those traits, however disliked Santana’s mean streak. Sandra Gonzalez of Entertainment Weekly was somewhat stunned by the storyline, observing that Santana had not previously been portrayed as “so serious and weak”, but enjoyed the depth it dropped at her character.

VanDerWerff praised the character growth of Santana, calling it the highlight of the episode “Born This manner”. Glee. Season 1. Episode 18. Fox. Glee. Season 3. Episode 7. Fox. Club deemed it one of the best storyline of the episode, saying it was nearly alone the explanation the episode acquired a “B”. She found the present’s pacing difficult, particularly the dancing, and commented in June 2009 that her most memorable second on Glee was performing the Cheerios’ glee membership audition piece, “I Say somewhat Prayer”. Romero noted that while Santana begins the present as little more than “the feisty Latina trope”, Rivera’s efficiency gave her more nuance and the character ultimately confronted others for perpetuating harmful Latino stereotypes in the episode “The Spanish Teacher”; this episode notably included a duet between Rivera and the queer Latino Ricky Martin, something Romero describes as one of many show’s extra subtle nods to queer illustration and “one in all Santana’s best moments of Latinx pleasure”. In Tracy L. Hawkins’ chapter within the 2014 book Queer in the Choir Room: Essays on Gender and Sexuality in Glee, she explains that until Glee, and significantly the complexity of Santana’s seasons-long coming out journey, all stories of television characters revealing their sexuality followed sure norms that play into stereotypes and didn’t concentrate on the character themselves.

Digital Spy’s Emily Browne wrote of the significance of showing Santana’s emotional response to her sexuality but not being defined by it, with the character being “a popular, confident, sensible femme”. The character of Santana had a optimistic impact on U.S. The impact of the character unfold by pop tradition, with Jorge Rodriguez-Jimenez of Mitú writing that “You didn’t have to be an avid viewer of the present to grasp and admire the magnitude of Santana Lopez”. A BBC retrospective in 2020 appeared on the impact of Rivera’s position as Santana in offering necessary illustration, internationally, for young queer women and the idea of being out in the music industry. T., Anna (2020). Opacity – Minority – Improvisation: An Exploration of the Closet Through Queer Slangs and Postcolonial Theory. Eric Stoltz (director), Ian Brennan (writer) (October 12, 2010). “Duets”. Goldman, Eric (May 11, 2010). “Glee: “The power of Madonna” Review”. Alfonso Gomez-Rejon (director), Ryan Murphy (author) (May 11, 2010). “Laryngitis”. Tate Donovan (director), Ryan Murphy (author) (February 8, 2011). “Silly Love Songs”. On the 2011 ALMA Awards, Rivera was nominated within the Favorite Tv Actress – Leading Role in a Comedy category.

She was ranked first in AfterEllen.com’s Top 50 Favorite Female Tv Characters. Latina and Afro-Latinx representation on prime time television and laying the muse for comparable characters and tales to follow. Ms. famous that though there was way more queer representation by 2020, Rivera’s push for Santana’s relationship to be dealt with properly makes the character still stand out as “one of many few lesbian characters to ultimately have a contented ending”. Following Rivera’s loss of life in July 2020, numerous outlets and people cited her portrayal of Santana as a positive representation of each Latinas and the LGBT neighborhood in the media. Singer Demi Lovato, who performed the girlfriend of Rivera’s character on Glee in its fifth season, expressed similar sentiments, writing: “The character you played was groundbreaking for tons of closeted (at the time) queer girls like me and your ambition and accomplishments were inspiring to Latina girls all around the world”. Rivera was vocal in her help of the Santana/Brittany relationship, and her attitudes towards Santana’s emotional attachment knowledgeable her portrayal of the character. In a single chapter, by Isabel Molina-Guzmán, she is highlighted as the main instance of a character that’s non-stereotypical however nonetheless embodies Latinidad; is listed with Jessica Alba’s flip in Dark Angel as a big character who has main storylines not targeted on race; and is noted as racially ambiguous sufficient, not firmly defined as white or Black, to open the door for brand spanking new Latina narratives.